| Book (1) | |
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| 1 |
Sudip Chakroborthy and Sydur Rahman Traditional Games of Bangladesh.
Dhaka: Unesco, 2017 .
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| Journal Article (8) | |
| 1 |
Sudip Chakroborthy : Performance in Quest of Identity of the Bangladeshi Diaspora Community in Britain,
Journal of Politics and Administration, Department of Political Studies, Shahjalal University of Science and Technology, Sylhet, Bangladesh , vol.4 , no.1 Politics and Administration, Department of Political Studies, Shahjalal University of Science and Technology , pp.70 , 2020
.
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| 2 |
Sudip Chakroborthy : āĻ¨āĻāĻ° āĻĸāĻžāĻāĻž āĻā§āĻŦāĻ¨ā§ āĻĒāĻžāĻļā§āĻāĻžāĻ¤ā§āĻ¯ āĻĒā§āĻ°āĻāĻžāĻŦāĻŋāĻ¤ āĻ¨āĻžāĻā§āĻ¯āĻāĻ°ā§āĻāĻžāĻ¯āĻŧ āĻ¨āĻžāĻ°ā§ (Women Performer in the Western Influenced Theatre in the Urban Dhaka),
Bangladesh Asiatic Society Bangladesh Asiatic Society , pp.400 , 2012
.
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| 3 | Sudip Chakroborthy : āĻŦāĻžāĻāĻ˛āĻž āĻ¨āĻžāĻā§āĻ¯ā§ āĻ¨āĻžāĻ°ā§ āĻā§āĻļā§āĻ˛āĻŦ (Bangla Natye Nari Kushilab), Bangladesh Shilpakala Academy Patrika Bangladesh Shilpakala Academy , 2012 . |
| 4 | Sudip Chakroborthy : āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļā§ āĻļāĻŋāĻā§āĻˇāĻžāĻĻāĻžāĻ¨ā§ āĻ¨āĻžāĻā§āĻ¯āĻĒāĻĻā§āĻ§āĻ¤āĻŋ (Theatre in Education in Bangladesh), Asiatic Society Bangladesh - Sanskritik Samikkhamala , vol.12 Asiatic Society Bangladesh , 2008 . |
| 5 | Sudip Chakroborthy : āĻļāĻŋāĻŦ-āĻā§āĻ°āĻŋāĻ° āĻā§āĻ¤: āĻŦāĻžāĻāĻ˛āĻžāĻ° āĻāĻāĻāĻŋ āĻā§āĻ¤ā§āĻ¯āĻ¨āĻžāĻā§āĻ¯ (Performance related to Shiva-Gauri: A Ritualistic Theatre of Bangladesh), Bangla Academy - Uttoradhikar , vol.52 , no.1 Bangla Academy , 2008 . |
| 6 |
Md. Ashiqur Rahman Leeon : Stanislavsky System: Phycho-Physical Creative Process of Acting Art,
SHILPAKALA, Anual Journal of Bangladesh Shilpokpla Academy (impact factor:Research on Acting Method) , vol.xxI 2013 , no.2013 Md. Fakharuddin Ahmed, Director, Research and Publication Department, Bangladesh Shilpokola Academy, Printed by Printoline, 51, Naya paltan, Dhaka-1000 , pp.49-54 , 2013
.
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| 7 |
āĻŽā§: āĻāĻļāĻŋāĻā§āĻ° āĻ°āĻšāĻŽāĻžāĻ¨ (Md. Ashiqur Rahman) : āĻ
āĻāĻŋāĻ¨ā§āĻ¤āĻžāĻ° āĻļāĻžāĻ°ā§āĻ°āĻŋāĻ āĻĒā§āĻ°āĻ¸ā§āĻ¤ā§āĻ¤āĻŋ: āĻ
āĻāĻŋāĻ¨ā§ āĻ āĻāĻžāĻ°āĻ¸āĻžāĻŽā§āĻ¯ā§āĻ° āĻĒāĻžāĻ°āĻ¸ā§āĻĒāĻžāĻ°āĻŋāĻ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ ( based on Actor's training and physical apparatus by Eugenio Barba and Nicola Savarese),
āĻļāĻŋāĻ˛ā§āĻĒāĻāĻ˛āĻž āĻˇāĻžāĻŖā§āĻŽāĻžāĻ¸āĻŋāĻ āĻŦāĻžāĻāĻ˛āĻž āĻĒāĻ¤ā§āĻ°āĻŋāĻāĻž (Shilpokpla Half Yearly Bangla Journal ) (impact factor:Research on Actor) , vol.āĻāĻāĻ¤ā§āĻ°āĻŋāĻāĻļ āĻŦāĻ°ā§āĻˇ ā§§āĻŽ āĻ¸āĻāĻāĻž, ā§§ā§Ēā§§ā§¯ āĻŦāĻā§āĻāĻžāĻŦā§āĻĻ,ā§¨ā§Ļā§§ā§¨ āĻā§āĻ°āĻŋāĻˇā§āĻāĻžāĻŦā§āĻĻ , no.ā§¨ā§Ļā§§ā§¨ āĻŽā§: āĻĢāĻāĻ°āĻāĻĻā§āĻĻā§āĻ¨ āĻāĻšāĻŽā§āĻĻ, āĻĒāĻ°āĻŋāĻāĻžāĻ˛āĻ, āĻāĻŦā§āĻˇāĻŖāĻž āĻ āĻĒā§āĻ°āĻāĻžāĻļāĻ¨āĻž āĻŦāĻŋāĻāĻžāĻ, āĻŦāĻžāĻāĻ˛āĻžāĻĻāĻļ āĻļāĻŋāĻ˛ā§āĻĒāĻāĻ˛āĻž āĻāĻāĻžāĻĄā§āĻŽā§, āĻŽā§āĻĻā§āĻ°āĻ¨- āĻāĻˇāĻž āĻāĻ°ā§āĻ āĻĒā§āĻ°ā§āĻ¸, ā§§ā§¨ā§/ā§§, āĻ˛āĻžāĻ˛āĻŦāĻžāĻ āĻ°ā§āĻĄ, āĻĸāĻžāĻāĻž- ā§§ā§¨ā§§ā§§ , pp.ā§Ģā§Ē-ā§Ŧā§§ (54-61) , 2012
.
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| 8 |
āĻŽā§: āĻāĻļāĻŋāĻā§āĻ° āĻ°āĻšāĻŽāĻžāĻ¨ (Md. Ashiqur Rahman) : āĻ
āĻāĻŋāĻ¨ā§āĻļāĻŋāĻ˛ā§āĻĒā§āĻ° āĻŦāĻŋāĻŦāĻŋāĻ§ āĻĒā§āĻ°āĻāĻ°āĻŖ ( Types of Acting art on the basis of Richard Schechner's talk )- āĻĒā§āĻ°āĻāĻžāĻļā§āĻ° āĻāĻ¨ā§āĻ¯ āĻ
āĻ¨ā§āĻŽā§āĻĻāĻŋāĻ¤,
āĻŦāĻžāĻāĻ˛āĻž āĻāĻāĻžāĻĄā§āĻŽā§ āĻĒāĻ¤ā§āĻ°āĻŋāĻāĻž (impact factor:āĻ
āĻāĻŋāĻ¨ā§āĻļāĻŋāĻ˛ā§āĻĒā§āĻ° āĻĒā§āĻ°āĻāĻ°āĻŖ) , vol.āĻĒā§āĻ°āĻāĻžāĻļā§āĻ° āĻāĻ¨ā§āĻ¯ āĻ
āĻ¨ā§āĻŽā§āĻĻāĻŋāĻ¤ āĻŦāĻžāĻāĻ˛āĻž āĻāĻāĻžāĻĄā§āĻŽā§, āĻĒā§āĻ°āĻāĻžāĻļā§āĻ° āĻāĻ¨ā§āĻ¯ āĻ
āĻ¨ā§āĻŽā§āĻĻāĻŋāĻ¤ , pp.āĻĒā§āĻ°āĻāĻžāĻļā§āĻ° āĻāĻ¨ā§āĻ¯ āĻ
āĻ¨ā§āĻŽā§āĻĻāĻŋāĻ¤ , 2012
.
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